Experience the hip-hop culture in Mombasa

Experience the hip-hop culture in Mombasa
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Friday, July 25, 2014

KEEP MOVING: THE MIXTAPE


What exactly does KEEP MOVING, the debut mixtape from the JuBlak collaboration with Stitch represent? A victory lap following the amazing success of last year's NAYO NAYO collaboration with Holy Dave,? A return to the gonzo wordplay of MAKE IT which Stitch featured the talented and sassy Chess? A listenable platform for the long-underrated duo (and by extension, the newly revived Soundtrick Records)? Or simply a collection of hot, murky beats that they felt like spitting over?

KEEP MOVING finally lands this week tasked with saving face after a bad year. ButWAR CRY rode fans’ willful suspension of disbelief raw as Stitchie Itchie anointed himself a king, and Junizzy a president over a
mixtape adorned in the gaudiest of embellishments,it is speedy and with its video trailer gaining much positive comments,promises to stay in heavy rotation. It doesn’t help that keep Moving finds them slipping from character into caricature. Many of the song concepts here are wan, and much of the wordplay is spent. On “Hopes And Drama freestyle”,BlakBoy goes hard and raw on a heavy beat, he’s the “Junizzy Mafioso,” soliciting standing ovation and fellatio from concubines. “Take It” houses Stitchs’ as the party don,who commands an air of sophistication and mastery of flow. This is a typical club banger,he quips,"Hebu songea,coz siwezitouch from here.”

With JuBlak and Stitch's hammy tendencies fading from strength to liability, with strong successful
collaborators under their belts, and bless them all, they tried.An easy laid back hip hop track,yet so mind provocative Sentiments shines,its a juicy piece that goes political,with names of former Kenyan president Moi is mentioned in Jublak's ever deep opening verse,Stitchie comes through with an attitude and braggadocio of a pro to talk to the mind,it getts even better when guest raps from GCho Pevu Poet light a fire in third verse,being the only featured act. Itchie The Maniac and Jay The Retard great chemistry proves mutually inspiring for both; it's evident in their “Everyday” track which they go head to head with crazy flow and excuisite punchlines. Soundtrick did a good mastering of this track bringing out the beast in the two.'Unajiita failure na by the end of the day ukipita city clock utakuwa umepass time'.
Though many might have known JuBlak as gospel rapper owing to the fact that he did his first two debut singles,Follow Me and Nitasonga with heavy intones of gospel content and his big hit song alongside Holy Dave,the rapper cum singer says,'I grew up in a strong Christian family,hence the christian values in my songs,but i grew up independently in the society which heavily influenced my way of thinking and writing." If there is a uniting theme on Keep Moving, it’s that JuBlak seems more reflective than usual, a rap veteran reconciling himself with his place in the music business. On the other hand “Keep Moving” the theme song includes a verse from Stitch that could be interpreted as an assertion of gangster authenticity (“Nimetoka place ni kungori sana ukibonga mbaya wanakuangushanga” to mean,Am from a place u get shot for talkin shit ) but it seems to double as a contemplation of being a working man’s rapper, tirelessly grinding out songs and navigating a perilous industry with finesse. 

The mixtape generally goes out of the norm,as they did not stick to normal Kenyan way of doing their mixtape,"It took us an entire month to put together this awesome piece of work,a lot of work and research too." The zealous Stitch says.

''Normal is boring,'' That's all JuBlak had to say. The mixtape has themes varying from love,street philosophy,personal life experiences,and its hip hop enough for its target audience. Stitch and JuBlak may not be familiar in your radios, but this mixtape definitely has earned them respect and recognition in the music industry.



Wednesday, July 23, 2014

POPPA DON ONCE AGAIN


This has seemingly been a good year for Poppa Don ever since he released his Mix-tape early this year. Read about it HERE. From radio shows, to interviews, to what-have-you (I've always wanted to use that, lol) Now the new Luo Rap King has received a nomination:  Best Hip Hop Act for his track #Katidagikatiyie ( I have no idea what that means, the track is tight though) at the Kisumu Vybez awards going down on 30th August.


For those of you who had no clue such an award existed, well, Vybes awards is an annual event whose aim is to recognize and award talents from West regions of Kenya (the true Westy, leave alone the Nai one) and the public votes to the guy they feel deserving. Tyranny of numbers and stuff.

So for those of us who want to vote for The Don, well unless you are blind, you already know how.

Friday, July 18, 2014

EXCLUSIVE MAKING OF A VIDEO (back scene pics)













This are the few pics I managed to get, you know what it is already from the title. Odinare will be dropping a brand new video, anytime as a surprise to the fans. I got these pics yesterday from Mr Hopes and Dreams. If you don't know, Paper, whose video is about to be released is already doing well on Pwani fm's count down, being in the top 5, and one of the three hip-hop tracks in the countdown. The others being Kaa La Moto and Ohms Law.
Let's just sit down, relax and anxiously await the video, I mean, that's all we can do for now.


ANOTHER MSHAMBA HERE


When you hear/see Washamba Wenza anywhere, the first thing that hits your mind is probably Smallz Lethal or Kev Mamba, and if you are in Mombasa then Frankwest is the guy for you. Well, today I am going to introduce you to another Mshamba here (okay, I am using the word "introduce" to folks who haven't heard of him, but if you know him, then ignore the word and keep reading, or share this to someone who doesn't alright?) Yung Uzee Mshamba. 



So the other day when I was talking to this cat from Mombasa, he was telling me about his first track Ndani ya System which he featured Mnyaji, (pause: this Mnywaji guy, I don't know if he's always drunk or acts drunk, I'll have to ask him next time we meet. His lyricism is on another level man, try sample some of his tracks) Frankwest and D.I.D. "I will be launching an album come August! I have put so much in this, I believe it will be worth listening to" he told me during our chat.

If you have watched his video, Upendo, produced by G-ganji Sniper, he keeps praising Washamba Wenza crew for helping he be where he is and at the same time preaching peach to all Kenyans. That song will be featured in his yet-to-be released album, which he has not revealed it's title.
Before we part, I asked him his last words "Skiza gangstar, peace kwanza, biff!! after, crimes wacha utalose life faster usipo change chapter"

                                                                 Photo

Saturday, July 12, 2014

KAA LA MOTO NI MIA KWA MIA 100%


This is definitely one of the dopest videos from Mombasa that I have seen. Very nice concept, clarity is awesome, plus the flow from the king of cypher adds all the flavors! Mia kwa Mia is the track y'all should have as your ringtone and Guy G man! You have raised the standards of music production in Mombasa!
Watch the track right here and tell me what you think.

Monday, July 7, 2014

HEY MR DEEJAY

After Odinareh Bingwa's statement on deejays on local radio, I feel like I need to jump in. I am one person who likes making sound arguments so you know, I gotta do my own tiny background check. But issues like this do not need background check. You wanna tell me that out of all these coast studios non of the produce good music? We have Stantmastaz, the quality is incredible, we have Kelele records, international standards, Jungle Masterz Produces the best tunes,the likes of Dogo Richy and Lypso. You trynna say that of all the artists in Mombasa non of them has good music? Non has that creativity in them? You trynna say that we are all whack? Really? That's the excuse you will give us?




This is just disappointing I must say. You telling me that I'm complaining and I do not have fans. So how am I going to get my fans if you are going to feed us with Jamaican and Nigerian music. I have a Nigerian friend. And whenever we go out clubbing he feel so much at home because of the number of Nigerian music that will be played in the clubs. That guy has been in Kenya for 8 months, clubs 4 nights a week and he doesn't know a single Kenyan artist! 
Last year during the Stylus DJ awards at Sarova Whitesands Last year, Ali B said that he had a hard time promoting his album in Tanzania because they do not support alien material on their media. Sauti Sol during their interview on The Trend with Larry Madowo, they said, they had been to South Africa, Nigeria....and in their club not even a single Kenyan music plays. But in Kenya, we play as much Nigerian, South African and Jamaican Music. That's why our industry is lugging behind. Diamond came just the other day and he has much money than Jua Kali who has been in the scene for long. Look at Ugandan artists man, their cars and houses....this is because they support their own.
View music as a single product like a phone. There are 3 major stages involved: Production,  distribution, consumption. Lets break them down each at a time.

PRODUCTION
As phones are manufactured and assembled in their factories, so is music. Our factory is the studio, we are assembling the producers' beats and the composers' lyrics with the artists voice to make a final product, music. Some deejays claim that the music we produce is not of good quality, which is a lie and you all know that. I've talked about it already. If you do not believe, sample tracks from the above named studios and others then compare them with the quality ones you say. Note the difference.

DISTRIBUTION
The reason why you can purchase a phone at you nearest shop while it was produced in States, is because of the good distribution channels that were used. Music wise the distribution of this is crucial, because this links the artist to the fans. And this is where the deejays and media fall. It is the deejays who will distribute our music to the masses by playing us during their shows and places they go to. In our case here, deejays rather play Nigerian and Jamaican music, so what channel will the artists use? 

CONSUMPTION
You become a consumer after you have purchased that phone from the shop, so in our case, the consumers are the fans. The consumers nature, they will consume whatever they are offered with, they rarely go out of their way to seek other products. They believe in what the distributors say.

Seeing all that, it is easier now to detect where the problem is. Most people who listen to radio stations or go out clubbing will not go out of their way to look for other music. They believe that the deejay will only play the best music, which is true. The problem is that, the consumers also think that, if the deejay does not play it, the track is definitely has a problem. Which in most situations that's not the case. So you can imagine what happens when our deejays play Nigerian, SA music. The consumers think Kenyans have no good music, but when they mistakenly hear our songs on their friends' phones, they go like "OMG why are you not on radio?".

I am concluding now. Deejays, we know there are whack artists and whack producers out there, at the same time there are good artists and producers out there. I don't expect any DJ to tell the likes of Odinareh, C-De, Petrooz, Ohms, that they have poor quality, that's bullshit, coz that music is quality. This is not about individual artists who want fame, if you are shallow minded you'll think it that way, but look deeper, it is about Kenyan music verses Alien music. In as much as you want to advance in your career and please the fans, you have a moral duty to the Kenyan music industry. In layman's language an trynna say  don't you feel a little stupid when you are busy playing Nigerian Music in your Kenyan show, and your counterpart Deejay in Nigeria doesn't even know a single Kenyan artists?

To those deejays supporting local content, I salute you all, and we appreciate you for what you are doing. Thank you! 

Sunday, July 6, 2014

HIP-HOP ARTISTS IN MOMBASA REACTION ON THE 7/7 RALLY





Rapkeed.
" I think 7/7 is the only chance for Uhuru and his team to make up to the citizens. We all know he promised lots of things not mentioning the laptops or a beta maternity and so forth. Jubilee should come together. Sit down with CORD and solve all the drawbacks of this country including the insecurity which, if sorted out, will make way for the tourists to come back....well that's how should be done and not the old fashioned way hot of sitting down along jubilee (we all know these 2 coalitions have something in between)..and i fail o understand why Jubilee has been opposing that meeting" ~RapKeed~


"7/7 I don't think 7/7 will help us Kenyans. What is the use of it? lets pray and be 1 kenya ni jina nchi ni sisi, Nyuma tulipita bana saisi wako mbele yawa kenya tunataka tuishi na upendo.Check out my video upendo by young uzee. Peace is what I preach. GOD BLESS KENYA"  ~Young Uzee Mshamba Mwenza~


I think Uhuru should not be intimidated by people who are not even in the government.. The whole dialogue this is a time wasting thing and they should stop the rallies because they are causing unnecessary tension.7/7 to me a normal day like any other... For those with time to go for such rallies they should ask themselves who is benefiting. ~PMG~
PMG
" Fed up with all the politics.... Am currently consuming good hiphop music and world cup so politics fails the standards to qualify as my cup of tea for now.... Just hoping for a better Kenya for all of us..." ~Dizasta~

Fed up with all the politics. Am currently consuming good hip-hop music and world cup so politics fails the standards to qualify as my cup of tea for now. Just hoping for a better Kenya for all of us.Traders fear about their business and we fear of what is happening to Mpeketoni not to happen in our neighborhood. And to these leaders to stop being like rabbits in the rabbit philosophy
. ~Gari La Moshi~


My opinion is that this years 7/7 will be used for the wrong reasons unlike back in Nyayo's era where it was used to champion human rights.its very sad when people of a certain tribe are leaving parts of Rift valley for fear of attacks,this is not the 7/7 we wish for.i urge all youths to avoid being tools of the political class,let us not hit the streets n lose our lives as their children go for exile in Johannesburg & Zanzibar. If they want us to hit the street and demonstrate they n there families should lead from the front. Peace will only reign if we want it to. ~Odinare Bingwa~

Odinareh Bingwa





Saturday, July 5, 2014

MOMBASA'S FINEST NEW AGE HIP-HOP ARTISTS

Honestly speaking, Hip-hop in Mombasa has been low for quite some time now and was almost forgotten in the industry since nothing was being heard from this sides. To cut the long boring story short (forgive me I like getting straight to the point,) ladies and gentlemen I present to you the FUTURE of Mombasa's Hip-hop. Or rather, the guys who are on the forefront (most active), fighting for the rights of Hip-hop artist. (#NB I am just counting down from 10-1 it does not symbolize that artist 8 is better than 9.)

10) Big Adebo
The Beast from Magongo. Preferred language is English as you already know. He has been active in the studio this year since he is planning on dropping a mix-tape soon. (I wrote an article about it). He makes it to the list because of his work, he collaborates with artists from within and out Kenya. Very aggressive and liberal minded. 
Big Adebo
 9) Kaa La Moto
From hosting the Pwani fm Hip-hop Thursday show, straight to hosting Teke Teke, a hip-hop show on Pwani TV, the freestyle king from Mombasa has done a lot to promote the hip-hop culture. He has a huge fan base in Mombasa, on and offline. He has done a number of projects to help the street children, all that in the name of hip-hop. His music is on point too (btw, that's a constant thing that every guy in this list has, so I wont be repeating that)

Kaa La Moto
   
8) Dizasta
This guy is the bomb! If you haven't heard Black City The Mix-tape you don't know what you are missing out. He is young (still a teenager) very creative and very talented. This guy is literally the future of Kenyan hip-hop, not just Mombasa. Originally he's from Rongai, but when in coast, you'll find him in Ukunda. The founder of Black City Movement, Dizasta is definitely the guy to watch out for.
Dizasta

7) Mohjay
The Emperor of Mtwapa. The king of unique and classic hip-hop beats. The brain behind Pwani Vina! Ever heard of a studio called Homesound? Well, Mohjay is the producer there. He is a video director too. In case you are in Mombasa and you want awesome scene for hip-hop, a nice fair budget video, Mohjay is the guy. Photography, graphics, name it! Mohjay will provide. He lives hip-hop, every single day of his life. He is Hip-hop.
Mohjay
                                  


6) Ristoh BSB
Another heavy weight from Magongo. Affiliate of Boomsalabar crew. Very awesome live performances from him. Right after Kaa la Moto left the airwaves, Ristoh replaced him on the Hip-hop Thursday show at Pwani TV. His music talks about street education, with hit songs like Money Pesa and Street Ishakubali, Ristoh is definitely another guy to watch out for.
Risto BSB

 5) Miss Dimplez
You are probably hearing that name for the first time, if not then you are not surprised to her on this list. I will describe her with simple words, The Best Female Rapper (that's a prophecy). She is fast when spitting. Has nice punchlines for a female, full of confidence, strong voice that is a big boost when it comes to message delivery. She is one female MC y'all should watch out for. (oookay. I've used that term, "watch out for" 3 times now, I should probably stop now)
Miss Dimplez
                               

4)Ohms Law Mombasa
This guy is undoubtedly the BEST rapper from Mombasa. If you don't know him, then you are missing out. As I a writing this, his song Poleni featuring Simple Boy is topping Pwani Fm charts. It is also the most requested song all across the coastal region and Tanzania too. He is one guy who can spit ill punchlines anytime of the day, never gets tired of writing lyrics and his delivery is just awesome. The Pride of Mshomoroni is among the best lyricist to ever emerge from Mombasa. Every song he's done is a hits my favorites being V si T (VCT), Street Star and definately Poleni.   Currently he is a Media Student at Technical University of Mombasa, the most popular guy in campus together with his closest counterpart who is the next guy in the list......
Ohms Law Mombasa
                           

3)The Anonymous Vedette
To start with, if you are reading this, it is courtesy of The Vedette. He is the founder of The Ultimate Hip-hop Experience, who's goal is to create much awareness on coast hip-hop. He has a sick flow, preferred language is English, but still can flow in Swahili. All his lyrics are directly related to real life happenings of his life. You'll just have to listen to him to understand what I mean. From hosting a weekly hip-hop show and events to blogging, to dropping a City's Anthem, The Anonymous Vedette is the one to raise hip-hop standards in Mombasa.
The Vedette
2) Odinareh Bingwa
With an album selling on itunes, number one track on Pwani Fm, making a record of a hip-hop track topping the chart for the longest time, and a number one video, Odinareh is on another level in the game. Producing at Kelele Records, the finest studio in town, with Teknix, the best producer, you expect nothing but top quality from Mr. Hopes and Dreams.

Odinareh Bingwa
                         

1) Petrooz
The MONSTER BRAIN. Why is he on this list, well simple, see all the above mentioned artists? They have all been produced by Petrooz at Stantmastaz Mombasa (with exception of Mohjay). He is one producer who has boosted the quality of Music that comes from the coast. Everyone wants a piece of him. All hip-hop artists in Mombasa, and some in Nairobi too wabt him on their beats. And he never disappoints. Always on Point. Sample his tracks, and the ones he has produced you'll see my point. Kenya's very own Dr. Dre.
Petrooz